Portal de Turismo de Castilla y León

Dates

January 11, 2025

When?

Soon

Link

To know more

Experiment, work individually and collectively, to investigate with the tools and possibilities that theatre offers us.

The fundamental basis of 'The Theatre Workshop' is the expressive development of the student . Theatre, its techniques and those of other arts and teaching methods, with the aim of helping a young person express themselves more and better, providing skills and knowledge, attitudes and abilities throughout the sessions with historical, technical and, fundamentally, practical notes.

Provide students with tools to develop technical capabilities and expressive skills and attitudes developed through multi-expression and the multiplicity of possible responses to given proposals.

The objectives of teaching that is not simply globalizing but integrative, are to train and socialize . Theatre is considered one of the most useful tools in this sense. However, training in 'The Theatre Workshop' should not be focused exclusively on training the student to perform. And socialization should not be reduced to being able to perform in front of an audience.

An important element of 'The Theatre Workshop' is its basis in training techniques and exercises that offer the student the ability to learn how to learn . Learn how to learn. Train the student to become aware of their progress, their growth, their limits and how to overcome them.

'The Theater Workshop' must ensure that each student learns to grow in expressive techniques and as a complete and integral individual .

Provide problem-solving skills, information management skills, and decision-making skills.

It's not about creating scholars in History and Theatre Literature, or actors who succeed in Hollywood or Broadway. It's about giving them the opportunity to be that and many other things.

Developing 'The Theatre Workshop' not based on what came first or what was theorized first, but on what needs to be developed and mastered first in order to face the second.

You cannot interpret without knowing how to improvise. And to improvise you cannot speak or stop speaking at will, without being limited to silent improvisations. You cannot work on your voice without mastering your body, whose muscles modulate and produce your voice. You cannot work on the movements of that body without controlling your own body and that of others. You cannot control your body without knowing who you are working with. You cannot work with anyone anywhere without knowing the place first.

Sessions will be held on Saturdays, from 11:30 a.m. to 1:00 p.m. Starting on January 11.